Monday, February 28, 2011

trip to vintage vinyl

Good record stores have distinct qualities about them. Variety of inventory as well as volume is an obvious start. Loud bands you never heard  blare through out the stores' ambiance speakers. The guy at the register unconcerned with his surroundings, absorbed in a "Rolling Stone" magazine usually. The true bonus is functional listening turntables. An establishment i suggest to anyone in the Midwest region trying to get into vinyl would be St. Louis,Missouri located Vintage Vinyl record shop.

 It is truly unmatched by most places i have shopped at. The staff was chill, not bombarding you with "Anything i can help you with?" every time your started dig for records. The amount of records for sale was really enjoyable and it seem as no genre was lacking in quanity either. Genres and even some time periods were clearly marked, making it tons easier to locate film score LPs and other novelty groupings. Whats always essential for quality vinyl shops is a Dollar bin rack worth rummaging through for five minutes. This is where gems can be discovered and surprise finds that making the experience of purchasing music something of a treasure hunt. For those that are not into vinyl, there where still a quality selection of cassette tapes, CDs, 45s, and DVDs.

Saturday, February 19, 2011

Pharoah Sanders, Love Will Find A Way (1977)



Ferrell  "Pharoah" Sanders is a musician is who pushes his craft. His nickname "Pharoah" comes from early collaborator avant grade jazz giant, Sun Ra, whom himself it one the most eclectic and far reaching musicians of his time. For these purposes, jazz and related music genres needed individuals like Sanders  to force innovation and even strange deviation from the norm. This is most understood through looking at his whole career of exploration in free jazz  but particularly this 1977 effort produced and partially arranged by Norman Connors.  The tracks that make up this album are collectively soulful, with a interesting blend of intricate percussion and lyrical melodies. The Arista label Sanders demonstrates the  late 70's jazz funk sound while staying true to his more exploitative side.  My particular favorite cut is "Pharomba" which grooves on ethnic percussive layers with driving melodies and equally intricate melodic qualities.

Sunday, February 13, 2011

Michael Franks, The Art of Tea (1975)





Michael Franks embodies a definitive smooth jazz sound. Folk/easy-listening type lyrics that make musical analogies worth not keeping a straight face over and immense talent seeping out of the rhythm section make this album an interesting listen for this particular Valentines Weekend. The album cover doesn’t provide any more of an appeasing value other than it’s beautifully minimal and modern. Enchanting qualities of this album are only understood through the preemptive first listen.  Under the Warner Brothers Music Label, Franks was able to link up with Keyboardist Joe sample and other members of the equally great smooth jazz group, The Crusaders.  The lushness of the arrangements is a testament of this. Samples’ solos are technical, catchy even at times. These are dueled against guitar work by Larry Carlton and Franks himself and tight rhythm section blends on gems like “Monkey See, Monkey See Do”.   The novel storytelling and hilarity of suggestive lyrical sources in Franks writing draws one in and don’t distract but rather balance the bliss, not to mention the wealth of fantastic solos by the likes of, but not limited to, Dave Sanborn on alto saxophone and Michael Brecker blowing tenor 
saxophone. 



Song: "Mr.Blue"

Sunday, February 6, 2011

"Man Vs. Machine...or something like that"

Why would anyone still listen to records?


This is a common question of peers and new comers alike that can’t quite grasp why I would willfully revert to a “dead” music medium. “Dead” could be in reference of the use and practicality in current society or the fact that most artist that have records for purchase are usually deceased .Yes, looking for records in your parents basement is often like scavenging through a musical graveyard. I’ll never forget the first time I dusted off a Jimi Hendrix tombstone. The next question usually has to do with my mental stability and or my awareness of the current year. I assure everyone that I have these things in check.
 In 2011, the market is flooded with digital music. Anyone with a little time and a computer can use iTunes and have access to what is over 200,000 albums, movies, and other media. Mp3 players along with the internet have revolutionized the way people retrieve and use music in their daily lives. However, this has not always been for the better. The iPod generation keeps people socially isolated to an extent. Music is composed and performed (in most cases) with a collaboration between individuals. It is rare to see any artist that completely conceives music alone or without help from any outside source. Even back in the 60’s and 70’s when vinyl records were most popular, people would engage in the simple act of listening to music together by sitting around a record player and passing an LPs liner notes around. The LP was a conversation piece, full of interesting artwork, photos of the artist, and often stories or commentary on the artist or particular album. With digital music, we’ve slightly sacrificed the personal connections in music for convenience and ease of use. It’s safe to say music has lost some of its specialty. Its essence.

Don’t records sound horrible, scratchy, and unpleasant?

 Lo-Fi, or Low Fidelity, means the presence or artifacts (distortion, hiss, etc.) in audio recordings. This is a result of analog equipment limitations in the audio spectrum as opposed to digital recording technology of today which offers pristine, squeaky clean sound. All records are not inaudible or sound trashy, but most that were made a couple decades ago may possess a lo-fi sound. They merely have a different aesthetic quality to them that commemorates the generation it was created in. Records are audio time machines, taking you back to an era of extreme importance to the origins of much of the modern music we enjoy today. While this Technology was limited then but creativity was not. Most digital music that is downloaded from the internet today has little to no artifacts. Mp3s present cleaner sound production but tend to lose dynamic variance and fullness. Simply put, this carries more importance to some and less to others.

Here is little video that helps encompass some of the concepts i'm talking about :http://www.youtube.com/watch?v=2cj3_4p0hao